I don't get why you killed me
I don't get this mess
Sixteen stabs were way too many to handle for both of us
I don't get why you killed me
I don't care
I don't care that you killed me
I'm not there
A few words ran through the air
I spat them out in despair
None of them reached their aim
For you licked my blood of your hands
There's no time for Miss Tate
There's no time left
Toying with the shiny knife as if to cut the baby out
But it's too late for Miss Tate
There is no time to play
No one else here, hold her well now it's time to slay
So quiet you could almost hear
The sound of ice rattling
In cocktail shakers in the houses
Way down the canyon
Your suffocating voice
Your delirious thoughts
Of how can it not be right
When it's done with love
Years ago I fell in love with Floex's music following a playthrough of the games "Machinarium" and "Samorost", both of which he provided the music for. This album contains that same unique Floex sound and energy. keyedupagain
Heartfelt melodies and evocative lyrics create an emotional journey that leaves a lasting impression—moody and wonderfully dark. Bandcamp New & Notable Aug 20, 2023
On the gorgeously unsettling new record from Ariahindream, haunting vocal melodies drift through dark, swirling clouds of electronics. Bandcamp New & Notable Apr 29, 2023
This album is a very interesting and rewarding journey into the past of floex' work. I love how the first hints of his later main elements show up at many points. Yet this album is completely different from his later work: I feel it's much more pop/lounge oriented. As always, tracks (like Labccr and Phi_log) tell whole stories without a single word and let me get lost completely in the music.
And though I like the recent style more. this album shows that he had a promosing start all along. Hans Pieper